51 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide features depictions of anti-gay bias, sexual content, and cursing.
In March 31, 1995, a mysterious man named Nate Cartwright is driving south. At the foot of the Cascades, he enters a town named Roseland, Oregon, which has a population of 827. He pulls into a gas station called Big Eddie’s Gas and Convenience. A large man walks out of the gas station. His name is Big Eddie. He knows Nate from years back, and he now acts surprised that Nate has come back to Roseland.
Big Eddie expresses sorrow over the deaths of Nate’s parents, who died earlier in the year when Nate’s father killed his mother, then died by suicide. Nate’s mother left him a cabin, and his father left him a truck. Now, Nate has returned to town to live in his inherited cabin, fleeing from something in his past. Big Eddie asks about Nate’s past experience of working as a journalist for the Washington Post.
Nate feels very conflicted about his current situation. He had not spoken to his family in years, ever since the day his father kicked him out of the house for being gay. Nate’s parents had caught him with a boyfriend up at the cabin, and he left home after the altercation with them, never speaking to them again. Though Nate’s mother had not hurled abuse at him like his father had, she had remained silent, and to Nate’s mind, her inaction made her complicit.
Now, Big Eddie tells Nate to call him if he needs anything while he is staying at the cabin. As Nate pulls away from the gas station, he sees Big Eddie leaning down to help his son Benji with homework.
When Nate arrives at the cabin, he sees that the padlock on the door to the boatshed is hanging open. He steps into the boatshed to investigate and hears the telltale click of a gun being cocked. A male voice demands that he place his hands behind his head and tell them who he works for. When Nate responds that he doesn’t work for anyone, the voice expresses disbelief. Nate tells the story of his parent’s death and his inheritance. A female voice responds that she believes him, and the male voice tells her to stay inside the house.
The male voice tells Nate to turn around slowly. Nate does so and sees an older dark-haired man with a large bandage on his side pointing a gun at him. A small girl stands next to him, looking at Nate curiously. She introduces herself as Artemis Darth Vader (Art), to the displeasure of the older man. Suddenly, the older man passes out, and Art asks Nate to help her get him inside. In response, Nate also faints.
Nate awakens to the sound of Art and the older man, whose name is Alex, arguing over what to do with him. Nate sits up and finds himself on the couch, being closely observed by Alex and Art. Nate stands and threatens to call the police. In response, Alex fires the gun, leaving a gaping hole in the wall behind Nate. Alex then grimaces and folds over in pain, prompting Art to begin fussing over him. She asks Nate to help her and hands him Alex’s gun, which has begun to slip out of his grip.
Nate points the gun at the two of them, shaking in terror. Alex tries to reason with him, then suddenly lunges and snatches the gun. Nate flees the cabin and tries to call the police with his cell phone, but there is no reception at the cabin. Nate wants to drive back to town but realizes that he doesn’t have his keys.
He heads back inside the cabin to retrieve his keys. While he walks back, he realizes the impossibility of Art dragging both him and the injured Alex back inside the cabin, which makes him think that there must be another person in the house whom he hasn’t met yet. However, Art claims that only she and Alex are there. She says that she left his keys by the shed, as she wasn’t able to carry them along with Alex and Art. Nate finds her statement confusing but heads outside to retrieve his keys.
Nate finds his keys in the grass, right where Art said they would be. He turns back around and jumps when he finds her standing right behind him. She tells Nate that she is looking for more food, and she guides him over to his truck. Nate follows obediently, shocked by her confident and strange behavior. She retrieves soup from Nate’s supplies, then asks him to bring the bread inside. Nate considers driving away but instead gets the bread and follows Art into the cabin.
Art unpacks the soup, confronting Alex over the fact that he doesn’t have any chicken soup, which she insists will help Alex. She asks Nate to make toast, showing no knowledge of how toast is made; she believes that Alex can make it in his hands instead of the toaster. Nate watches her in silence, wondering how a 10-year-old girl could behave this way. When she is finished cooking, she accidentally burns her hand on the stove. He carries Art to the sink to run cold water over her hand, but from the doorway, Alex tells him to put her down. Nate does so and sees that Alex is pointing the gun at him again.
The three of them sit at the dining table, where Art watches Alex eat the soup, enraptured. Nate wonders why he isn’t fleeing these people. He also wonders whether he’ll go to jail because for harboring what seem to be fugitives. Art guides Alex to the couch and makes him take off his shirt so that she can inspect his wound. She takes off the bandage to reveal a red, inflamed spot on Alex’s skin, with a circular. However, Nate is surprised to see that Alex’s skin is unbroken; he was expecting to see a gunshot wound in the man’s side.
That night, Nate cannot sleep, so he spends his time pacing and considering the situation. He wonders whether he is hallucinating out of grief for his parents and the stress of his isolation. As morning dawns, he leaves his room, expecting to find the cabin empty. However, Alex and Art are still there. Nate heads into the living room to find that someone has unpacked his truck and moved his things inside the cabin.
Nate asks Alex a series of questions about who he and Art are and why they are running, but Alex refuses to answer. Nate notices a tattoo on Alex’s forearm, showing that he is a member of the Marine Corps. Nate makes breakfast—eggs, bacon, and toast. Art comes into the kitchen and quizzes Nate on the bacon, as she has never heard of it before. The three eat breakfast. Suddenly, a knock comes from the front door, and Alex pulls the gun out and disappears with Art into a bedroom, leaving Nate to deal with the unexpected guest.
A man with a badge is standing on the porch. He introduces himself as Randy from the Douglas County Public Works Department and tells Nate that he has an appointment to get the water in the cabin hooked up. Nate shows the man the water meter, then heads back inside, where he witnesses more strange behavior from Art. After a minute, Randy leaves, and Alex goes around the side of the house to check whether Randy has left any recording devices to spy on them.
When Alex comes back inside, Nate confronts him and Art for breaking into his house, and he demands that Alex and Art leave his cabin. Art stares at him with sad eyes and says that she has enjoyed staying at the cabin. Nate gives in, telling them that they can stay until the following day.
In the opening chapters of the novel, the protagonist Nate encounters Art and Alex, a transformative event that will significantly alter the course of his life. Additionally, the descriptions of Nate’s complex relationship with his deceased parents lay the groundwork for the novel’s focus on The Healing Influence of Found Family. The murder-suicide that claimed his parents’ lives represents the destruction of traditional family bonds that were already irreparably fractured by fraught interactions. Given his father’s virulent and abusive anti-gay bias, Nate now feels conflicted by his own muted reaction to his parents’ deaths. His current inner turmoil is therefore a product of his previous mistreatment at their hands, and the narrative pointedly suggests that he no longer thinks of them as his family. Notably, although Nate’s father was openly abusive, Nate also identifies his mother’s passivity as a form of complicity through inaction, suggesting that passive acceptance of injustice carries its own moral weight. His current isolation and lingering issues with his family of origin thus foreshadow the bonds that he will develop with Alex and Art as the novel unfolds.
As Nate struggles with The Impact of Loss and Grief, as well as the cognitive dissonance inspired by his problematic relationship with his parents, the novel’s isolated setting emphasizes his physical and emotional vulnerability and plays a crucial role in developing the story’s atmosphere and tone. The isolated cabin in the Cascades initially functions as a place of trauma, as it is the place where Nate’s sexuality was discovered and where his parents reacted with bigotry and hatred. However, it also becomes a locus of potential healing, as he begins to form new connections with Alex and Art. This duality of space—where past and present intersect—creates a liminal environment in which new levels of transformation become possible. The setting also serves several practical functions, given that the cabin’s remote location shields the major characters from society’s watchful eye and increases the tension and conflict inherent in such a scenario.
As the narrative continues, each character’s initial description is complicated by additional revelations. For example, Alex is first introduced in a scene filled with tension and threat as he wields a gun and seeks to protect Art. However, his vulnerability quickly surfaces through his physical injury and subsequent collapse, creating a complex dynamic in which power and weakness are forced to coexist within a single individual. Similarly, Art defies conventional expectations of childhood behavior and exhibits a commanding presence despite her youth and her peculiar unfamiliarity with common items like toast and bacon. Together, she and Alex dispel Nate’s initial fear through their incongruous traits and odd charm.
The intruders’ pervasive oddness underscores the narrative, marking every interaction between Nate and Art and intensifying the mysterious aspects of the novel with a bevy of unanswered questions. For example, Nate finds himself mystified by Art’s impossible feat of moving two unconscious men into the cabin, and he also cannot understand her lack of familiarity with everyday objects. Furthermore, the mysterious healing of Alex’s wound suggests the presence of supernatural elements that Nate, operating within a realistic framework, struggles to process. In this way, the author deliberately conflates a realistic, rational setting with a series of increasingly irrational elements, and as Nate struggles to reconcile these two themes, his confusion increases the narrative tension and emphasizes the psychological toll that he is currently enduring.
In these early chapters, the novel is concerned with exploring notions of identity—particularly its fractured and inconsistent nature. Nate’s sexuality and its role in his family’s rejection, Art’s chosen name and unusual behavior, and Alex’s military background all contribute to questions about how identity is formed, chosen, and revealed. The text explores how these identities can both conflict with and complement each other within the confined space of the cabin.
These chapters also establish a pattern of power shifts through the exchange of both objects and knowledge. For example, the gun changes hands multiple times, keys become a point of contention, and information is carefully guarded and strategically revealed. These edgy interactions create a dynamic in which control is constantly in flux, and this ongoing issue reveals deeper notions about power, trust, and vulnerability in the midst of forming new relationships. However, despite the threatening circumstances of their initial meeting, Nate, Art, and Alex begin to form tentative bonds through shared meals, domestic activities, and moments of vulnerability. This evolution of trust occurs against a backdrop of potential danger, creating a tension between self-preservation and the human need for connection.
Unlock all 51 pages of this Study Guide
Plus, gain access to 9,100+ more expert-written Study Guides.
Including features:
By T. J. Klune